Jumping into the ebook market

When ebooks became the new trend, I wasn't really sure how they'd go. Would teens and middle graders really want to read books on their computers? Would they be willing to invest in ebook readers?

It turns out that they are. And I can't blame them. I bought a Kindle two years ago and fell in love with being able to carry my library of favorite books around with me so easily. Last year my wonderful husband got me an iPad, and now I carry around even more books on it, as well as music, movies and the web. Now I wonder, would any of my readers actually want to read my books on their ebook readers?

Several of my publishers have brought out some of my YA titles in ebook format, and I've been thrilled to see the books available, but with the delays in the length of time it takes publishers to inform authors of subsidiary sales and the royalties they've earned, I still have no idea whether anyone is buying them.

So I decided to take one of my early ghost stories, Tournament of Time, and do a little experiment. I controlled ebook rights to it, so I formatted it for Smashwords (much easier than I expected, using their helpful style guide) and uploaded it there at $2.99. I'm also in the process of getting it approved for the iBookstore, since I love reading on my iPad, and I'm sure other iPad readers feel the same way - if given the opportunity to buy an ebook in a variety of formats, most of us would go for the iBook version that could be read on our iPad or iPhone. If you enjoy ebooks, mysteries, and English history, check out my take on the murder of the Princes in the Tower in Tournament of Time. Decide whether you're Team Richard or Team Henry, then find out whodunnit.

I've already had several downloads since the book came out this morning, so I'm thinking it's off to a good start! And I hope you enjoy ghostly history mysteries, and ebooks, as much as I do.

The Second Draft

Writers like to talk about the first draft, and then the excitement (or the torture) of revision. But for me there's a pretty major step in between those two parts of the process. That's the second draft.

For me, the second draft isn't a revision, or a re-envisioning of the book I set out to write. The second draft is when I read through my first draft and add in details that I realize I left out in my rush to complete the first draft (the phase I like to think of as taking a roller coaster ride with my characters.) There's no time for pausing to consider the perfect word or the small, descriptive details that accompany the main action while you, as the writer, are riding the roller coaster. The second draft is the time to consider those.

The second draft is also the time when I look at what I've written and recognize the subtle threads that are woven through the story as a whole. These threads may only peek through here and there in the first draft, because they may be so subtle that I didn't recognize their significance while I was on the roller coaster. Now they spring out at me in vivid relief, and as I work on the second draft I can pull those threads through, so they find their proper place in the book as a whole.

The second draft is also the opportunity for adding in facts. I do a great deal of research before I get on that first draft roller coaster, but once I've taken off I always run up against questions that I discover I need to answer before the manuscript is ready to be revised. Interrupting the roller coaster ride in order to look up these facts can upset the flow of the writing,

so I leave notes or gaps in the first draft to remind me to find out about this or that, and the second draft is my chance to look up those facts and fit them in correctly. These can't be big facts that will alter the way your characters behave, or course, or how your plot turns out - those have to be answered before I climb on the roller coaster. But the second draft is my chance to research those little facts I didn't know I needed to discover when I first started writing.

Sometimes I don't even realize when my first draft turns into my second draft. This evening my husband asked how close I was to the end of the book. As I tried to explain that I'd already written the end, I realized what I've been doing these last couple of days was pulling threads through and adding in those descriptive details and those additional facts. I realized I've completed my first draft, and I'm partway through my second draft. That means my new book should be ready to give my critique group soon, and then read to revise and send to my agent. I've got to admit, I'm thrilled to realize I'm well into my second draft!

Instant Gratification, Frustration, and the Internet

Over the years, my book buying habits have changed. I used to walk into a bookstore, eager to spend the next hour or two browsing, actually reading some of each book I considered buying. I read various review magazines, and I might go into the store with a list of titles I was interested in. I'd talk with the bookstore personnel, and often come up with recommendations for even more books.

Then online bookstores exploded into the market, offering many titles I couldn't find in my local bookstores. Nevertheless, I was slow to fill my bookshelves with online purchases. I liked to be able to dip into the book before committing myself to its purchase.

All that changed with e-books. Now I could download a sample from the book to my e-reader (I got a Kindle first, and then an iPad), and satisfy my craving for a dip before buying. And, as I did on my bookstore trips, once I decided I liked the book I could buy it immediately: my yearning for instant gratification was not only encouraged, but satisfied.

However, the internet changed more than just the ability to download e-books instantly. It altered not only book selling but review protocol. Librarians and other readers and writers always loved the joy of collecting ARCs at BEA and the ALA conventions, but as blogs spread across the internet, reviews came earlier and earlier, as if blog reviewers were excited to report "I just read this terrific book and I'm going to whet your desire for it, but you won't be able to see it for another six months!"

When I read an enticing review for a book, I expect that it may not be out until next month, but there's nothing so depressing as reading a review in November for a book that won't be out until April!

The internet has set up the expectation of instant gratification, so as soon as I read a review that intrigues me, I immediately check to see if I can download a sample of the book now, and I fully expect to buy the complete book as soon as I finish that sample if I like it as much as I hope. I don't mind pre-ordering something I expect to enjoy if it's going to be released next week or next month, but I've grown too impatient to wait for four or five months!

Blog reviewers, please wait to post your reviews until it's a little closer to the book's actual release date, to minimize your faithful readers' frustration. Chances are your enthusiastic review will excite me about the book, but by the time it comes out 5 months from now, chances are I'll have forgotten its title and why you convinced me I'd love it. Our online world has conditioned us to immediacy - we now expect instant gratification and have no patience for waiting. It's great to tantalize us with a list of ARCs you picked up, but couldn't you hold your reviews until closer to each title's release? I think it will lower my reading blood pressure, and make me love you more. Then again, I suppose blog reviewers are eager to publish their reviews as soon as possible - perhaps it's not fair to expect them to be immune to the desire for instant gratification themselves.

Take Time to Celebrate!

I was very touched when I heard Marion Dane Bauer's story about not properly celebrating her Newbery Honor win for On My Honor. And I've taken to heart her advice to celebrate each step of the way. As writer, it used to be true that ours was a solitary journey, but thanks to our writers groups, thanks to the internet, thanks to Facebook, we're now active participants in a larger community that allows us to have virtual celebrations with our friends and colleagues any time we want!

I celebrate a good writing day by updating my Facebook status, and share good news about great reviews or awards with my writers group by bringing

chocolate to our meetings. (My previous writers group celebrated with cookies - different foods, but both great ways to share good news with your friends.

Still, the writing itself, at least the first draft, is something done alone. And I do have a more private celebration ritual for good news or awards for one of my books - one that doesn't involve eating. I celebrate by getting myself a new fountain pen. It's a way to celebrate the writing, and my personal participation in it. No, I don't write my first drafts by fountain pen - but I write my notes for each book, and my journal, and my handwritten letters with fountain pens. I cherish the way the ink flows, and how a fountain pen solidly fills my hand. And I always love the way children and teachers point at it and say, "Look! A real writer's pen."

My fountain pens aren't magic, but they're special to me, and I was delighted to start writing with the newest addition to my working collection, the silver one at the bottom in this photo. We all have good writing news to celebrate much more often than we give ourselves credit for: finishing a scene, finishing a chapter, completing a first draft, trusting our first draft to our critique group, completing a second draft, completing a revision, placing the manuscript, signing a contract, completing revisions for the publisher, seeing reviews, holding the first copy in our hands. Make sure you do something to celebrate each step of the way, with writing friends, and perhaps even a personal celebration ritual of your own.

Tis the Season to Reward Writers

No matter what the Today Show thinks, January is the time for the children's and teens' lit community to reward writers and illustrators and to celebrate those awards. I love January! It's the time when I discover what I've missed in my previous year's reading, and have the opportunity to download as many books as I can afford for my iPad. Fortunately this past Christmas I was blessed with lots of ebook gift cards! I've just finished Moon Over Manifest (how could I have missed that one?) and Jenni Holm's Turtle in Paradise which I like more and more as I think about it more and more. I also loved A.S. King's Please Ignore Vera Dietz - I shall never see ghosts the same way again. And I'm still reading (and loving) Dash and Lily's Book of Dares.

This year I'm also delighted to announce that my book, An Unspeakable Crime: The Prosecution and Persecution of Leo Frank has been honored in the round of January award announcements. An Unspeakable Crime was named an Honor Book in the Social Studies - Grades 7-12 category by the Society of School Librarians International, and was also named a 2011 Sydney Taylor Notable Book for Teens. It has also been honored as a Cybils Finalist in the Nonfiction Book (Middle Grade and Young Adult) category, and a National Jewish Book Award Finalist in the Children's and Young Adult Literature category.

I am overjoyed to share my book's recognition for the same reason that I'm delighted to learn about other books that have been honored: just as I am eager to read those excellent books I mentioned above, I hope that readers will discover An Unspeakable Crime. That's why we write, after all, in the hopes that someone will read our book, and any recognition that makes it more likely for others to read it is a wonderful thing. If you're curious and want to find out about this 1913 legal case, please click here to watch a video about my research for this book. And many thanks to the organizations and committees that honored my book.

Writers' Leap of Faith

Happy New Year! Time for new resolutions, new starts, and new experimentation. Sometimes it's hard, however, to take a leap of faith and try something new, especially when it comes to writing.

Have you found a writing method that works for you? A method of planning your novel and writing that first draft that seems foolproof? A method that has worked for you reliably in the past, one with which you feel comfortable? You're confident in your writing because you're familiar with it, and you can see your word count build up as your characters grow and work their way through a plot with a beginning, middle and climax that all occur at the right proportional points in your manuscript. Well, congratulations!

But perhaps this trustworthy method isn't really serving you as well as if did the first time you experimented with it, and were delighted with the new aspects of your novel that it helped you discover then. Be honest: since you've been writing with this method, have you continued

making new discoveries and pushing your ideas to their limits? Sometimes you need to shake up your procedure, or you can fall prey to stultifying sameness that compromises the complexity of your ideas.

So start the New Year by experimenting with some new writing methods.

Check out Martha Alderson's terrific Blockbuster Plots books and videos.

Explore software like Dramatica or Scrivener. Check out my own book on Character and Plot development. These are all tools - they won't write your book for you, but they'll help you look at your idea through new eyes, asking new questions that might help you make new discoveries about your characters and their story, and explore avenues with exciting potential that you hadn't considered with your comfortable method.

Never let yourself become complacent in your writing. Complacency can stifle your imagination and prevent you from tackling the hard questions that could force you to confront uncomfortable ideas. Those uncomfortable nudges are the very ideas that could elevate your comfortable book to something challenging and remarkable and new.

Merry Christmas, or Happy Holidays, to all!

All my Christmas shopping is done - the presents are all wrapped and either under our tree or en route to friends by priority mail, the Christmas cookies are baked and frosted (and sampled), the groceries are in the refrigerator for Christmas meals. As much as I feel triumphant, however, I also feel a bit sad. The preparations for Christmas, the anticipation of how my friends and family will enjoy their gifts - these are what I love best about the holidays, even more than Christmas morning itself and the fun of opening presents. I truly believe this is the season of giving.

I wish I could be a spirit in every household to which I sent gifts - I'd love to watch my friends' children (and my friends) open the presents I sent them. But the best I can do is send some of my spirit with the gifts, and be thankful that my friends are mostly writers, who will write to tell me how those small pieces of my love for them were received. Then I can vicariously share in their holiday joy from afar.

Spend as much of the holidays as you can with people you love. Christmas, more than Facebook or the internet, is about truly connecting with a larger community than your household. I believe we send gifts because we're reaching out to the people we care about, showing our love in boxes and gift bags. We do that many times during the year: on birthdays, at random moments when we just have the feeling a friend needs a lift. But this winter holiday season of Christmas is magical because nearly everyone reaches out to everyone else they know, and even to some people they don't know, through charity, to share that love, at the same time.

Enjoy the holidays. Eat too much and laugh too much and hug beyond your personal space comfort bubble. Let the world in and revel in it. That's my wish for everyone whose spirit I've touched this year, and other years, and for everyone whose spirit has touched me. Give of yourselves, to share this magical season, until your heart overflows.

Genres - Helpful or Hurtful?

Genres tend to mystify me, and I'm not sure they're really doing much of a service to readers, labeling books in the simplest possible terms.

I write novels. I admit I didn't think much about genres when I started publishing - I thought about the target age of my readers, but not the genre of the book I was writing for them. Then, after Counterfeit Son was published, I got a phone call from my editor telling me it had been nominated for an Edgar Award.

Wonderful! But I had to ask her, what was an Edgar Award? She told me it was for Best Young Adult Mystery.

Wonderful! Except I hadn't thought of Counterfeit Son as being a mystery. It was a novel about coming to terms with exactly how much responsibility one person owed another person. I was honored to be nominated, but the nomination was something of a mystery to me.

Then I began thinking about my other books, and I realized that most of them were mysteries - I'd used techniques of mystery to tell the story I'd wanted to write. I was even more honored when Counterfeit Son won the Edgar Award for Best Young Adult Mystery. And the following year Ghost Soldier was nominated for the Edgar Award for Best Juvenile Mystery, another tremendous honor, even though I thought the book was more a novel about knowing when to hold onto family and when to let go, than a mystery.

So genres can benefit writers unexpectedly. But I think genres can also do writers a disservice sometimes. I've recently finished a novel about the need to protect words and books from being twisted and misrepresented. It takes place in our world, perhaps a few years in the future, and I thought of it as sort of a foray into science fiction, or speculative fiction (a term I prefer). But with the current interest in dystopian literature, it's being called dystopian. And editors have rather specific ideas about what they want to see as dystopian. So when they read my manuscript, thinking dystopian, they have problems with it not fitting neatly into the dystopian template they have in their mind.

Not so wonderful. I know genres can help readers find the sort of books they want, but I think that pigeon-holing can also cut readers off from books they might well enjoy if they came to those books without pre-formed expectations. What do you think? Do genres hinder more often than help, or vice versa?

Old Friends

This year I joined a Facebook Group in which all the members are trying to read 100 books in 2010. Every month we all post the titles of the books we read. This has been a fabulous source of recommendations for new books to read, and I'm thoroughly enjoying my participation. While I've discovered many new titles and authors this year, I also find myself returning to old friends, re-reading classics like The Outsiders, and Edward Eager's Magic books, and more modern classics like the Harry Potter books. And there's nothing that give me greater pleasure than receiving an e-mail from a reader who tells me he (or she) has read and re-read one of my books, like Ghost Cadet, and considers it an old friend.

I really love discovering new books which will become old friends and be re-read in their turn in time, but there's no question that I also treasure my time curled up with old friends, especially when life gets difficult. There's nothing more comforting in tough times than a cup of mint tea and an old friend, although these days I more often than not find myself reading my old friends on my new iPad. I'm not clinging to old friends as a way to avoid moving forward in the literary world, either in terms of not wanting to discover new friends, or not wanting to use new technology.

I guess I'm still a Girl Scout at heart, remembering when we used to sing around the campfire:
Make new friends
But keep the old
One is silver
And the other gold.

I'm not sure whether my old book friends are silver or gold, but I treasure both the old and the new. Do you find yourself returning to old friends as you read, also?

Goodbye, Haunted House...

...I'm going to miss you.

Since I write ghost stories for middle school readers, I often get the same question when I visit a school: "Have you ever seen a ghost?" For years I had to answer, "Not yet," which saddened my enthusiastic fans. Then we moved to Bozeman, and my husband found a haunted house for us at 3242 Gardenbrook Lane. He didn't know it was haunted, because the house's ghost chimed, and my dear husband is rather deaf. But I heard it, loud, clear, and irregular enough in its chimes that we often seemed to be carrying on a conversation as I responded in turn.

At first, I'll admit, I was kind of spooked. I'd be minding my own business, writing, watching TV, playing games on my Mac, and then I'd hear this chime. I'd ask my husband, "Did you hear that?", knowing even as I asked that he wouldn't have. He didn't always hear the question. But the chimes seemed friendly, and after a while I started talking to the spirit, and discovered we got along very well. How wonderful it was to be able to tell young readers at schools that I might not have seen a ghost exactly, but I'd heard one in my very own house and we had interesting conversations (even if the chimes sounded without benefit of a translator, we still seemed to understand each other).

Where did the ghost come from? I don't know, and I never minded - we got on well together. Perhaps Keegan, the builder, built on a piece of land where someone had been buried in time long past? It was a new development - no house had been built there before, so someone could have been laid to rest beneath our home. It's possible.

But now we're moving, so I guess I'll never find out. I hope the new owners, Steve Parks and Cristina Boyles, like my ghost friend and are nice to it. Or, if they intend to sell the house, I hope they find buyers who get on well with the ghost. I'm sure if they make it feel welcome, it will welcome them in turn. As for me, I'm left with photos of my old home, and with memories of the ghost who befriended me.